Any exegetical approach to ' artwork of " She' s the boss", can not avoid stress psychodrama emotional content in the peaceful fotostory supplied album. From aesthetic point of view, the linear narrative construction of concept stands as a shameless reprise of Last Tango in Paris , private review of the fluidity of the catalyst and intellettule butter.
Sexuality is revisited in a couple of key apathetic and form exhausting monotony of home, a practice that in abuse / abduction seems to coincide with a certain mood sterility.
expression Jagger is sad, almost submissive, subdued and shows all the apathy of those who has just entered into a vortex of inaction by the difficult ascent.
the background looks great self the partners, engaged in a slouching stretching exercises to embarrass the most articulate of Jennifer Beals .
latter rises, despite himself, to material representation of a body sexually flexible anatomically incomplete, decapitated with surgical precision and reduced to merely an anonymous home decor (location, among other things, in sharp contrast with emphasis paraculistica title) .
The intent is clear: to ensure the hegemony of the scenic narcissus Jagger, providing an unnamed "by identifier" act to empathize with the irrational fantasies of fans.
no coincidence that in the back of the album there is no longer trace of the young suitably replaced by a less bulky television set and unsettling glimpse of which raises the scrotal sac Jagger as the main vanishing point of view. In this bare interior architecture, the fetish antennata is erected at the head of the bed as a sort of plaque in 24-inch CRT set to commemorate the monolith of the drift of 'lack of communication of the relationship.
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