The western industrial mass production of the production system and the parallel relationship of mimesis fetish that exists between people and objects / products, are two of the likely conceptual guidelines on which the appalling montage in support of this collection of Can. The play of references between the title and the multiplication Magritte performer of the four Germans, it seems to allude to a substantial critical and satirical approach to the system of the music business where the musicians themselves are reproduced in two-dimensional replicas of the serial line as vinyl on the shelves of a shop.
an opposition that seems to have reached its peak in the three Centauromachy placed in the background, where the irrational demands of the art they have to face the ruthless reasoning with the mechanism of profit. From this
the conflict is clearly no visual taste.
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