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Ray Charles: The Spirit of Christmas (1985)

The Notorious custom disc-cake is one of the cornerstones of viral marketing linked to traditional stereotypes imaginary Christmas. Thanks to this stainless
ritual, more or less known artists are to engage in pedantic and iterossessive interpretations of the classics Such an operation where they often coexist ( canceling each other ) the dictates of consumerism merchandising with standardization of values \u200b\u200band feelings that are the human soul as the mark of the Coca-Cola is on for returnable bottles. Open
then with a piece that can fully describe the paradoxical effects of the magic Christmas transposed through the distorting lens of the "creative". In this case, a radiant
Ray Charles leaves us thinking about how unlikely it is that a blind person is able to take off on a sleigh in the middle of Central Park in New York.

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Lenny Dee: Happy Holi-Dee (1961)

Among the more wacky and compassionate iconographic categories of the Christmas ritual in cover, probably one of the disguises in order deserves some attention.
Among these works is that of Santa Claus Rinascente formats, clothing very applicant among the artists the so-called "minor" who can exploit the ability to hide (in part) its connotations, however, bordering on the zero degree of human dignity.
Lenny Dee's case shows us that not just a wig (probably derived from the less fortunate of the litter poodle) and a red dress to impersonate Santa Klaus and the stack of values \u200b\u200bsociopatologici with the worship of the Nativity.

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Chicago: Hot Streets (1978)

With this intense split youth language removed forcibly from the Department of Oviesse jeans and resumed the parade of horrid booklet "No cover art" for the entire month of December will be solely on the age waterproof occurrence of Christmas. Prepare your
retinal attachment from the infamous party tonight Dossier Christmas.